Collaborators

Caleb Wylx

Chu Li

My Roles

Calligrapher / Designer

Photographer / Tree Bark Peeler :D

Artist Statement

The installation is designed to reveal the societal expectations of women throughout Chinese history.

Materials

The two major elements are the tree bark stripes and the projection. We believe calligraphy ink is the most suitable medium because of its history and expressive nature. And the tree barks conveyed a historical condensed feeling of societal issue. For the projection, we created a video featuring an underwater scene to highlight the tension and the feeling of suffocation that women experienced, further emphasizing women's struggle with patriarchal oppression.

Content

Each stripe is written with proverbs that either reinforce negative stereotypes about women or portray women as inferior/subordinate to men in Chinese society utilizing calligraphy ink. In addition, we included the translation of each saying to add clarity to the piece. The translation is written with red ink to unveil the passion, the violence, and the bloody history of gender inequality in China.

Peeling tree barks

The thick and rough texture of tree barks aligns more fittingly with our weighty subject— the societal expectations imposed on women throughout Chinese history.

Apply calligraphy

We rinsed and dried the tree barks. Then I applied the proverbs on the tree barks. Writing calligraphy on a new medium, rather than rice paper, was a novel experience!

Connect Pieces

Curious about the content in the pic? “嫁出去的女儿泼出去的水” = daughter who has married her husband is equivalent to water that has been splashed.

Translations

To clarify the proverbs, we wrote the English translation with lipsticks, which considered as the symbol of femininity.

Site choice

We found a hidden spot in Mandeville Auditorium, reflecting gender equality—a sensitive and obscure topic in China

Let people know!

We designed posters to promote our project. The glue really glues! The posters are still there after 2 years. (Mingjin in 2024)